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At the end of World War II, Belgrade, the capital of Yugoslavia lay in ruins. Modernist architects believed they could build a new city that would match the modernization goals of the new communist government. In Designing Tito’s Capital: Urban Planning, Modernism, and Socialism in Belgrade (University of Pittsburgh Press, 2014) , Brigitte Le Normand reveals the ideals that under girded these architects plans for Belgrade, along with the postwar realities that thwarted their attempts to foster a new society through a modernist built environment. She analyzes the political, social, and ideological implications of urban planning and the built environment, demonstrating how modernist architects were able to mold their ideal cityscape to fit Yugoslavia’s third way after the Tito-Stalin split and how market socialism created expectations that undermined their vision of social spaces. Her work demonstrates how architects and urban planners in Belgrade were part of a larger movement of modernism in postwar Europe and were affected by the movement away from modernism in the 1960s.

Brigitte Le Normand is Assistant Professor of History at the University of British Columbia, Okanagan.

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