Luc Tuymans talks to Ben Luke about his influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped his life and work.
Tuymans, who was born in 1958 in Mortsel, Belgium, and lives and works in Antwerp, has transformed the territory of painting in the late 20th and 21st centuries. Using photographs and images from film and other media, he tackles a breadth of subjects and motifs, including contemporary politics, cataclysmic historical events, art history, and apparently banal everyday objects and environments, with paintings that are redolent with atmosphere and poetic power. Tuymans’s process of finding the images and deciding how to transform them is slow and precise, and worked through in various stages before it reaches the canvas, where he makes the final piece in oil on a single day. In the resulting pictures, the motif can be veiled or oblique, and sometimes close to abstract, and he has used the term “authentic forgeries” to describe them. In this way, they articulate the elusiveness of representation through painting—a quality Tuymans has described as the medium’s “belatedness”—as well as the subjective nature of experience and memory, both personal and collective. He discusses the early impact of Piet Mondrian and Léon Spilliaert, his ongoing admiration for Francisco de Goya, and his response to Théodore Gericault and Mark Rothko in recent series of paintings. He reflects on the importance of literature, including the writings of Thomas Pynchon, and film, especially the painterly approach of David Lynch. He gives insight into his studio life and his singular approach to image-making, and answers our usual questions, including the ultimate: what is art for?
Luc Tuymans: The Fruit Basket, David Zwirner New York, until 19 December; David Zwirner, Los Angeles, 24 February-4 April 2026; Luc Tuymans, Basilica di San Giorgio Maggiore, Venice, Italy, until 22 February 2026.
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