Bruce Eric Kaplan, a veteran TV writer known for his work on 'Girls' and 'Seinfeld', shares his journey through the changing landscape of screenwriting post-pandemic. He discusses the emotional struggles of getting projects sold in a hesitant industry and reflects on the shift from traditional networks to streaming services. Bruce also highlights the impact of the peak TV bubble and expresses cautious optimism for the future of creative storytelling. Plus, there's a fun take on upcoming box office hits like ‘Venom 3’!
The post-pandemic landscape for screenwriters has become increasingly competitive and mentally exhausting, with writers facing confusion and uncertainty about industry expectations.
Despite current challenges in the television industry, there remains a sense of cautious optimism among writers for future opportunities in creative storytelling.
Deep dives
The Reality of Screenwriting
Many people view screenwriting as a dream job, but in reality, it often involves a constant struggle to sell ideas. Writers spend a significant amount of time pitching scripts to showrunners, directors, and studios, facing repeated rejections and prolonged waiting periods without income. The process is highly competitive and can be mentally exhausting for many writers as they navigate endless meetings and the fear of having their projects fall through for various reasons. This challenging dynamic is exacerbated in a post-strike environment, with fewer jobs available, making the pursuit of writing more daunting than ever.
Navigating the Post-Strike Atmosphere
The mood among writers following the recent strike is described as increasingly bleak, with many feeling confused about the current industry expectations. Experienced writers express concerns over how to successfully sell their ideas, especially within the shifting landscape of streaming services that often prefer more developed concepts. The disparity between network and streaming opportunities has left many writers unsure about where they stand and how to adapt to new demands for pitches. This uncertainty has fundamentally altered the 'game' of television writing, leaving many feeling frustrated and disoriented.
Frustrations of the Writing Process
The writing process itself can feel Kafkaesque, with many writers reporting feelings of helplessness during extended waiting periods for responses to their pitches. Experiences shared include dealing with challenging personalities, making the collaborative environment sometimes adversarial rather than creative. For instance, interactions with high-profile talent can be emotionally taxing, as shown by Bruce Eric Kaplan's struggles with certain industry figures. Despite these hurdles, writers recognize that difficult experiences can ultimately lead to personal and professional growth, reshaping their outlook on the industry.
Hope Amidst Challenges
Despite the current challenges within the television industry, there remains a sense of cautious optimism among writers and creators. Many believe that while the industry is undergoing significant changes, opportunities for new and experienced writers will eventually emerge again. The past decade's surge of content creation fosters hope for future projects that push boundaries and captivate audiences. Writers maintain a belief that the creative landscape will adjust and adapt, leading to renewed prospects and a return to more fulfilling storytelling.
Matt is joined by writer Bruce Eric Kaplan ('Girls', 'Seinfeld', 'Six Feet Under') to discuss the life of a TV writer and how it has changed over the years, particularly coming out of the pandemic. Bruce talks about his new book chronicling his time during the pandemic as a struggling screenwriter, joining Season 2 of the hit Netflix show ‘Nobody Wants This’, the bursting of the peak TV bubble, the psychology of the working writer, and if there is room for optimism moving forward (02:31). Matt finishes the show with opening weekend box office predictions for ‘Venom 3: The Last Dance’ and ‘Conclave’. (21:30).
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