Korean Cinema & The Bodies Within

Apr 24, 2025

02:37:44

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I sat down with scholar, Nilesh Kumar to explore how Korean cinema has reflected shifting notions of gender, identity, and social structure across decades. From the angry men of the Korean New Wave to the defiant heroines of modern streaming hits, this conversation examines how bodies on screen become battlegrounds for power, memory, and desire. We begin by talking about how technology defines Park Chan-wook’s groundbreaking movie Oldboy, as well as its absence of allegory, signaling the start of post-modern Korean cinema. Then, we explore three main themes in Korean cinema across time: Masculinity, femininity, and queer representation. The first section sees us discuss Chilsu and Mansu (1988), Peppermint Candy (1999), A Single Spark (1995), Whale Hunting (1984), Burning (2018), and Parasite (2019). We then turn our attention to Hostess Cinema (1974-1982), Yeong-ja’s Heydays (1975), Right Then, Wrong Now (2015), Ballerina (2023), Han Gong Ju (2013), and My Sassy Girl (2001). Finally, we look at King and the Clown (2005), Moonlit Winter (2019), Mine (2021), The Handmaiden (2016) as well as the importance of Seo Dong-jin and Paul B. Preciado. I was particularly impressed by how Nilesh put each section in context, describing the importance of the socio-economic and political conditions of the time.

Nilesh Kumar is from England, of Gujarati-Indian background, and is based in South Korea. He is a Film Curator and co-founder of the Seoul-based underground-movable cinema, STEAK FILM and the sexuality themed, STEAK CINEMA. His topics of writing have included contemporary queer South Korean culture, South Korean ‘hostess’ cinema (1974-82), and 6th Generation Chinese Cinema.

Selected work: https://novasiagsis.com/author/nileshp/

Instagram: https://www.instagram.com/nilesh5739/

Facebook: https://www.facebook.com/shanti.love.90

David A. Tizzard has a PhD in Korean Studies and lectures at Seoul Women's University and Hanyang University. He writes a weekly column in the Korea Times, is a social-cultural commentator, and a musician who has lived in Korea for nearly two decades. He can be reached at datizzard@swu.ac.kr.

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Thanks to Patreon members: Hee Ji Jacobs, Bhavya, Roxanne Murrell

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Discussion Outline

0:00 Oldboy and Allegory

18:40 Angry Men in Korean New Wave Cinema

44:42 Hostess Cinema and Female Representation

1:12:25 My Sassy Girl (엽기적인 그녀)

1:37:30 The Queers are Here

2:33:46 Recommendations

Music by Jocelyn Clark: https://youtu.be/IWVqqXT3TfY?si=wq2mcIIarE6JTqFS