Melvyn Bragg and guests discuss one of the most energetic, varied and innovative playwrights of his time. Thomas Middleton (1580-1627) worked across the London stages both alone and with others from Dekker and Rowley to Shakespeare and more. Middleton’s range included raucous city comedies such as A Chaste Maid in Cheapside and chilling revenge tragedies like The Changeling and The Revenger’s Tragedy, some with the main adult companies and some with child actors playing the scheming adults. Middleton seemed to be everywhere on the Jacobean stage, mixing warmth and cruelty amid laughter and horror, and even Macbeth’s witches may be substantially his work.

With

Emma Smith Professor of Shakespeare Studies at Hertford College, University of Oxford

Lucy Munro Professor of Shakespeare and Early Modern Literature at Kings College London

And

Michelle O’Callaghan Professor of Early Modern Literature at the University of Reading

Producer: Simon Tillotson

Reading list:

Swapan Chakravorty, Society and Politics in the Plays of Thomas Middleton (Clarendon Press, 1996)

Suzanne Gossett (ed.), Thomas Middleton in Context (Cambridge University Press, 2011)

R.V. Holdsworth (ed.), Three Jacobean Revenge Tragedies: A Selection of Critical Essays (Macmillan, 1990), especially ‘Calvinist Psychology in Middleton’s Tragedies’ by John Stachniewski

Mark Hutchings and A. A. Bromham, Middleton and His Collaborators (Northcote House, 2007)

Gordon McMullan and Kelly Stage (eds.), The Changeling: The State of Play (The Arden Shakespeare, 2022)

Lucy Munro, Shakespeare in the Theatre: The King's Men (The Arden Shakespeare, 2020)

David Nicol, Middleton & Rowley: Forms of Collaboration in the Jacobean Playhouse (University of Toronto Press, 2012)

Michelle O’Callaghan, Thomas Middleton: Renaissance Dramatist (Edinburgh University Press, 2009)

Gary Taylor and Trish Thomas Henley (eds.), The Oxford Handbook of Thomas Middleton (Oxford University Press, 2012)

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