Renata Adler is a journalist, critic, and novelist. Her nonfiction collection is After the Tall Timber. “Unless you're going to be fairly definite, what's the point of writing?” Thanks to Mailchimp and Pitt Writers for sponsoring this week's episode. Adler on Longform Adler's New Yorker archive [7:00] I, Libertine (Theodore Sturgeon • Ballantine Books • 1956) [8:00] After Tall Timber: Collected Nonfiction (Ballantine Books • 2015) [9:00] "Letter from Selma" (New Yorker • Apr 1965) [9:00] "Fly Trans-love Airways" (New Yorker • Feb 1967) [15:00] "Letter from Israel" (New Yorker • Jun 1967) [sub req'd] [17:00] "Letter from Biafra" (New Yorker • Oct 1969) [sub req'd] [34:00] Adler's New York Times film reviews archive [47:00] "An American Original: Excerpts from Pat Moynihan's letters" (Steven Weisman • Vanity Fair • Oct 2010) [50:00] "The Perils of Pauline" (The New York Review of Books • Aug 1980) [1:08:00] "Two Trials" (New Yorker • June 1986) [sub req'd] [1:09:00] Reckless Disregard: Westmoreland v. CBS, et al; Sharon v. Time (Knopf • 1986) [1:03:00] Gone: The Last Days of the New Yorker (Simon & Schuster • 1999) [1:10:00] "Decoding the Starr Report" (Vanity Fair • Dec 1998) [1:19:00] Canaries in a Mineshaft: Essay on Politics and Media (St. Martin's Press • 2001)

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