
Dialectic Independent Study: Art is For Seeing Evil by Agnes Callard (Essay)
A reading of a provocative theory that art’s main role is to reveal human evil. Discussion of why literature belongs in philosophy classrooms. Comparisons of Tolstoy, Hume, Plato and Aristotle on suffering, censorship and catharsis. Exploration of how novels and poems expose marriage’s miseries and moral blind spots.
26:43
Why A Philosopher Assigns So Much Fiction
- Agnes Callard describes her teaching choices: pairing philosophy with novels, plays, and poems to cover topics like death and courage.
- She repeatedly assigns literature (Hamlet, Tolstoy, Joyce, Ferrante) to capture aspects philosophy misses.
Art Exists To Show Evil
- Art's central function is to foreground evil rather than celebrate the good.
- Agnes Callard defines evil broadly: wronging, suffering, catastrophe, betrayal, boredom, loneliness, and annihilation as the meat of narrative fiction.
Evil Is The Dramatic Fuel
- 'Evil' in the essay is an umbrella for nearly every negative human experience authors use to drive plot.
- Callard lists hunger, fear, pain, injustice, betrayal, boredom, loneliness, downfall and annihilation as narrative engines.
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Intro
00:00 • 1min
Why I Assign Literature in Philosophy
01:24 • 3min
Proposing: Art Is For Seeing Evil
03:55 • 5min
Life Is Censored; Art Lets Us Look
09:17 • 5min
Tolstoy, Hume, and the Role of Suffering
13:54 • 5min
Plato's Censorship and Aristotle's Catharsis
19:21 • 6min
Why Poets Illuminate Marital Realities
25:09 • 54sec
Outro
26:03 • 39sec

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Cormac McCarthy
The Road is set in a world that has been devastated by an unspecified cataclysmic event, resulting in the extinction of nearly all life on Earth.
The story follows an unnamed father and his young son as they travel south along the road, carrying their meager possessions and a pistol with only two bullets.
The father, suffering from a worsening respiratory condition, is determined to protect his son from the dangers of their new world, including cannibalistic marauders.
Along their journey, they encounter various survivors, some of whom are cruel and others who show kindness.
The novel explores themes of love, survival, and the preservation of humanity in a world devoid of hope.
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Plato's Republic is one of his most famous works, a philosophical dialogue exploring justice, ideal societies, and the nature of reality.
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The dialogue delves into various forms of government, analyzing their strengths and weaknesses, ultimately advocating for a philosopher-king to rule the ideal state.
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Tolstoy believes that art should be accessible to all people, not just the privileged, and that it should foster empathy and understanding.
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Aristotle
In 'Poetics,' Aristotle discusses the different kinds and forms of poetry, including epic, tragedy, comedy, and dithyrambic poetry.
He defines poetry as a form of imitation that seeks to represent life through character, emotion, or action.
The work is primarily focused on tragedy, where Aristotle analyzes the elements of plot, character, thought, diction, song, and spectacle.
He also introduces key concepts such as 'mimêsis' (imitation) and 'katharsis' (the purging of emotions), and defends the art of poetry as a natural human instinct that provides pleasure and understanding through artistic representation.

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A Life in Four Books


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She guides her group through the harrowing conditions within the asylum and later in the city, as they struggle to survive and maintain some semblance of humanity.
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The novel also follows the parallel story of Konstantin Levin, a wealthy landowner, and his struggles with marriage, faith, and managing his estate.
Tolstoy explores a wide range of themes including love, loyalty, betrayal, hypocrisy, and the differences between rural and urban life.
The novel is known for its detailed character development and its profound commentary on the human condition.

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Euthyphro


Plato
Plato's "Euthyphro" is a short but significant dialogue that explores the nature of piety and the relationship between morality and divine will.
The dialogue centers on a conversation between Socrates and Euthyphro, who is prosecuting his own father for murder.
Socrates challenges Euthyphro's definition of piety, leading to a series of attempts to define the concept that ultimately fail.
The dialogue raises the famous Euthyphro dilemma: is something pious because the gods love it, or do the gods love it because it is pious?
This dilemma highlights the tension between divine command theory and the existence of objective moral truths.
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Iliad

Homer

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Sophocles
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The play revolves around Antigone, the daughter of Oedipus and Jocasta, who defies King Creon's law by burying her brother Polyneices, who was declared a traitor.
This act of civil disobedience sparks a profound exploration of themes such as the tension between personal morality and state law, the nature of justice, the role of fate, and the dangers of excessive pride.
The play highlights Antigone's unwavering commitment to her familial duty and the gods, contrasting with Creon's rigid adherence to the law.
The tragic consequences of their inflexible moral standpoints lead to a devastating outcome, questioning the absolute authority of human law versus divine law.
“Art is For Seeing Evil” was published by Agnes Callard for The Point Magazine on July 15, 2022. My thanks to Agnes and The Point for permission to share this audio version of her essay on Dialectic’s feed.
https://thepointmag.com/examined-life/art-is-for-seeing-evil/
Agnes Callard (UChicago, Substack, X, Wikipedia) is a professor of philosophy at The University of Chicago, focused primarily on ancient philosophy and ethics. She also writes for The Point, The New York Times, and more. I particularly enjoyed her recent conversation with Derek Thompson on her theory of the “uni-context.”
This essay was shared with me by Nan Ransohoff, (Ep. 51). I hope you enjoy it!
