The Holocaust, the Nakba, the Genocide in Gaza & How the I.H.R.A. Definition of Antisemitism Censors Scholars

In this episode of Occupied Thoughts, FMEP Fellow Ahmed Moor speaks with Marianne Hirsch, Professor emerita of English and Comparative Literature at Columbia University. Professor Hirsch made news recently when she withdrew from classroom teaching because Columbia instituted the IHRA Definition of Antisemitism, telling the Associated Press that “‘A university that treats criticism of Israel as antisemitic and threatens sanctions for those who disobey is no longer a place of open inquiry…I just don’t see how I can teach about genocide in that environment.”’ In this podcast, Ahmed Moor and Professor Hirsch discuss the IHRA definition of antisemitism and its impact on teaching and learning as well as the changes in academia and the changing balance of influence and power between administrators and scholars. Digging into Prof. Hirsch’s areas of expertise, they discuss genocide scholarship and Germany, looking at the achievements and failures of German “memory culture” and comparing the Holocaust, the Nakba, and the genocide in Palestine today. Through a look at the Genocide and Holocaust Studies Crisis Network, which Prof. Hirsch helped to found, they discuss how scholars are trying to use their expertise in fascism, mass atrocities, and political violence to name, explain, and counter the rise in authoritarianism and ethnonationalism around the world.  Marianne Hirsch is William Peterfield Trent Professor of English and Comparative Literature at Columbia University and Professor in the Institute for Research on Women, Gender, and Sexuality. She is a member of the American Academy of Arts and Sciences and a former  President of the Modern Language Association of America. She was born in Romania and educated at Brown University, where she received her BA/MA and Ph.D. degrees. Hirsch’s work combines feminist theory with memory studies, particularly the transmission of memories of violence across generations. Her recent books include School Photos in Liquid Time: Reframing Difference, co-authored with Leo Spitzer  (University of Washington Press, 2020), and the co-edited volumes Imagining Everyday Life: Engagements with Vernacular Photography (Steidl, 2020) and Women Mobilizing Memory (Columbia University Press, 2019).  Ahmed Moor is a Palestinian-American writer born in Gaza and a 2025 Fellow at FMEP. He is an advisory board member of the US Campaign for Palestinian rights, co-editor of After Zionism (Saqi Books) and is currently writing a book about Palestine. He also currently serves on the board of the Independence Media Foundation. His work has been published in The Guardian, The London Review of Books, The Nation, and elsewhere. He earned a BA at the University of Pennsylvania and an MPP at Harvard University. Original music by Jalal Yaquoub.