#471: Body By Cronenberg, Pt. 2 — The Shrouds

Over the decades, David Cronenberg has carved a distinctive and provocative filmography out of his interest in human decay and death, up to and including his new THE SHROUDS, a late-career entry in the writer-director’s body-horror canon. It’s a film that left some of us confounded in a way that our returning guest, critic Charles Bramesco, might argue is part of its Cronenbergian appeal; but placing it next to THE FLY in Connections clarifies how much it’s simply an evolution of the same pet themes Cronenberg has been circling since 1986 (and earlier), from overlapping obsessions with the mutability of bodies and technology, to the horror and guilt of watching a loved one deteriorate before our very eyes. And in Your Next Picture Show, we’re inspired to talk over another recent, highly personal project from an elder-statesman auteur that received a mixed reception, and which we never got to cover on the show: Francis Ford Coppola’s MEGALOPOLIS.

Please share your thoughts about THE FLY, THE SHROUDS, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730.

Next Pairing: Ryan Coogler’s SINNERS and Robert Rodriguez’s FROM DUSK TIL DAWN

Intro: 00:00:00-00:02:00

The Shrouds discussion: 00:02:04-00:26:23

The Shrouds/The Fly Connections: 00:26:24-00:59:16

Your Next Picture Show: 00:59:17-01:03:15

Next episode preview and goodbyes: 1:03:16-end

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