Fieldwork as a Sex Object: Meena Kandasamy on Deepfakes, Caste and Fearless Fiction

Meena Kandasamy joins Adam Biles to discuss Fieldwork as a Sex Object, her fearless new novel about Amy Chaturvedi, the avowedly communist daughter of wealthy Brahmin parents whose life unravels when a pornographic deepfake of her goes viral. Kandasamy explains why she made Amy an “imperfect victim,” and examines the political economy of online hate: paid trolls, WhatsApp pile-on groups, and soft-porn accounts that quietly turn far-right. She reads from the novel, reflects on how When I Hit You became a “handbook of divorce” in India, and shares her worries about how a story of Indian misogyny lands in the West. The conversation also covers writing for the “reel generation” spotting AI slop, and why a novel must always have grey areas.

Buy Fieldwork as a Sex Object: https://www.shakespeareandcompany.com/books/fieldwork-as-a-sex-object

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Dr Meena Kandasamy FRSL is a poet and provocateur who has spent two decades triggering online trolls. She has been translated into more than 20 languages. Her previous novel, When I Hit You, was shortlisted for the Women's Prize, Jhalak Prize and Hindu Literary Prize, and longlisted for the Dylan Thomas Prize. It was also Book of the Year in the Financial Times, Observer, Daily Telegraph and Irish Times. Her viral poetry collection, Ms Militancy, is a symbol of feminist revolt across South Asia. In 2022, she was awarded the PEN Germany Prize for being a ‘fearless fighter for human rights.’ She has two sons.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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