Bruce Springsteen, the 70-year-old rock-and-roll legend, discusses his struggles with depression, his complex relationship with his father, and the power of music to inspire and uplift. He also reflects on his journey towards political engagement and how his songs capture the struggles caused by deindustrialization and globalization. Don't miss this intimate conversation with Springsteen at the New Yorker Festival.
Bruce Springsteen's music often reflects social and political concerns, touching on the struggles faced by working-class Americans and the impact of deindustrialization and globalization on communities.
Springsteen's live performances provide a cathartic experience and a sense of unity, aiming to uplift and inspire the audience.
Deep dives
Bruce Springsteen's Career and Musical Journey
Bruce Springsteen's career has spanned over 50 years, with more than 20 top 10 albums and numerous accolades, including Grammys, an Academy Award, and a Presidential Medal of Freedom. He first gained attention as an opening act for Chicago at Madison Square Garden in 1973, where his energetic performance captivated the audience. Springsteen's memoir, 'Born to Run,' delves into his early years, musical influences, and his journey to becoming a successful singer-songwriter.
Personal Reflections and Insights
Springsteen's memoir explores his complex relationship with his father, who exhibited a mix of love and anger towards him. The book delves into his father's struggles, insecurities, and the impact they had on Springsteen's own life and work. Additionally, Springsteen discusses his relationship with his wife Patty, highlighting her support and understanding during his personal and creative journey.
Political Engagement and Social Commentary
Springsteen's music has often reflected social and political concerns, particularly regarding the struggles faced by working-class Americans. The book touches on Springsteen's political engagement, including playing benefit concerts for causes such as Vietnam War opposition. He also delves into the impact of deindustrialization and globalization on communities and how these factors have shaped political landscapes.
The Power of Performance and the Audience Connection
Springsteen's live performances are renowned for their energy, intensity, and connection with the audience. He describes the stage as a place where he can lose himself and the audience can be reminded of what it feels like to be truly alive. Springsteen's performances provide a cathartic experience and a sense of unity, aiming to uplift and inspire the audience.
At seventy-four, Bruce Springsteen has been cementing his status as a rock-and-roll legend for almost fifty years: he released his widely heralded, but not initially widely heard, début, “Greetings from Asbury Park, N.J.” in 1973. But, true to form, the artist who became known to his fans as the Boss hasn’t rested on his laurels. After weathering a spate of health troubles this past year, which led him to cancel much of his tour, the rock icon plans to hit the road again in the new year, all over the U.S., Canada, and Europe. When Springsteen published his autobiography, “Born to Run,” back in 2016, David Remnick called it “as vivid as his songs, with that same pedal-to-the-floor quality, and just as honest about the struggles in his own life.” In October of that year, Springsteen appeared at the New Yorker Festival for an intimate conversation with the editor. (The event sold out in six seconds.) This entire episode is dedicated to that conversation. Springsteen tells Remnick how, as a young musician gigging around New Jersey, he decided to up his game: “I’m going to have to write some songs that are fireworks. . . . I needed to do something that was more original.” They talked for more than an hour about Springsteen’s tortured relationship with his father, his triumphant audition for the legendary producer John Hammond, and his struggles with depression. As Springsteen explains it, his tremendously exuberant concert performances were a form of catharsis: “I had had enough of myself by that time to want to lose myself. So I went onstage every night to do exactly that.”
This episode originally aired in 2016.
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