Subtext: Conversations about Classic Books and Films The Evil of Banality in “Rosemary’s Baby” (1968)
May 18, 2025
Dive into the chilling depths of a horror classic that’s more than it seems. The conversation unpacks a critique of domesticity and ambition, showcasing the unsettling banality of evil woven through ordinary lives. Discover the irony of rebellion against societal norms and the emotional complexities of characters like Terry and Minnie. Laughter mingles with profound insights as humor and belief clash within this film’s narrative, revealing how the quest for individuality can become a dangerous trap.
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Satanism As Mundane Satire
- The film reads as satire about domesticity and the banality of supposed rebellion.
- Satanic evil is portrayed as ordinary rather than fantastical, exposing human pettiness.
Early Viewing And Cast Fandom
- Wes first saw the film in high school or college and loved the cast, especially Ruth Gordon and John Cassavetes.
- He recalls small in-jokes like the Ralph Bellamy reference that enrich the film on rewatch.
Faustian Bargain As Marital Tension
- The movie frames Guy's career anxieties and Rosemary's wish for family as a Faustian bargain setup.
- Their domestic tensions make the satanic plot read as an intrusion into ordinary marital conflict.
