Team Deakins

Jeb Brody - President of Productions, Amblin Studios

Aug 19, 2020
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Episode notes
1
Introduction
00:00 • 2min
2
Was It Always Your Ambition to Do What You Do?
01:37 • 3min
3
I've Got a Love for Entertainment, You Know?
04:18 • 3min
4
Film Theory and Art Practice
07:42 • 2min
5
I've Been Doing a Version of That All the Way Since I Was 19
09:26 • 2min
6
The Movie Business
11:46 • 4min
7
How Did You Become a Director?
15:42 • 2min
8
You Find Your Own Path
17:33 • 2min
9
The One Thing I Don't Want to Do Is Direct a Movie
19:30 • 2min
10
The Difference Between a Producer and a Studio Executive
21:07 • 3min
11
Do You Have as Much Saying as a Producer?
24:12 • 3min
12
Is There a Difference Between a Movie and a Studio?
26:57 • 2min
13
The Coen Brothers and DreamWorks - A Family in 1917
29:21 • 4min
14
Do You Ever Lose Money on a Filmmaker?
33:37 • 2min
15
Are You Trying to Make a Movie Like Little Miss Sunshine?
35:12 • 2min
16
Is It Possible to Remove the Director?
37:17 • 3min
17
The Movie Business
40:41 • 2min
18
Are You a Filmmaker Who Wants to Make a Movie?
43:02 • 4min
19
We're Going to Shoot in the Clouds, You Know?
47:16 • 6min
20
How Long Did It Take to See the Blends?
53:03 • 2min
21
Is This Really Going to Work?
54:36 • 3min
22
The Pacing of a Movie
57:39 • 4min
23
Do You Have a Negative Pickup?
01:01:31 • 2min
24
Focus Movies
01:03:34 • 2min
25
Movie Reshoots
01:05:41 • 5min
26
The Headbudding Between a Studio and a Filmmaker
01:10:41 • 5min
27
The Evolution of Streaming
01:15:28 • 3min
28
Filmmaker, What Makes a Movie Cinematic?
01:18:41 • 2min
29
Streaming
01:20:18 • 2min
30
Daspop
01:22:08 • 2min
31
Is There a Future Where Netflix Spends 100 Million on a Movie?
01:24:15 • 2min
32
Movie Business
01:25:58 • 2min