Gina Gina: The portrait – episode 5
Apr 27, 2025
In this insightful discussion, Bruce Johnson-McLean, the Wirri Birgubba head curator of First Nations art, shares his perspective on the controversial portrait of Gina Rinehart. Kelvin Kickett, who claims ancestral ties to Lang Hancock, adds depth with his reflections on identity and heritage. John Singleton, a close friend of Hancock, provides context on the family's complex legacy. They explore the intersection of wealth, power, and art, examining how sponsorship affects athletes' lives and the broader implications for Indigenous rights in Australia.
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Portrait As National Commentary
- Vincent Namatjira painted Gina as part of a larger Australia-in-Colour series that mixes beauty and ugliness to reflect influence and power.
- Bruce Johnson-McLean found the work powerful, messy and intentionally character-driven rather than a personal attack.
Billionaire Requests Portrait Removal
- The portrait went on display at the NGA on March 2 and prompted letters from Gina Rinehart demanding its removal a month later.
- Her letter to Ryan Stokes and the NGA director was heavily redacted but urged disposal of the portrait.
Complaints Were Networked, Not Random
- Most of the 26 complaints about the portrait were linked to people affiliated with Gina Rinehart, including employees and athletes.
- The complaints described the portrait as offensive and urged its removal, sparking wider public attention.