In The Office of Historical Corrections., Danielle Evans weaves themes of race, memory, and history throughout her finely-crafted stories. With extraordinary artistry, she complicates these issues with sensitivity, imagination, and wit. “You know how white people love their history right up until it’s true,” observes a character in the title story who works for a fictional government agency whose aim is to correct historical inaccuracies. Well, Evans shows us in beautifully-realized stories with no easy answers-- only complicated questions. How do you make things right—either personally or collectively? Who gets that second chance? How do you find a past that’s been erased? How/where do you place yourself in it? These are just some of the questions animating her stories…and our conversation about The Office of Historical Corrections.