

In Defense of Unsatisfying Endings, featuring Zahid Rafiq
Dec 16, 2024
Zahid Rafiq, a writer from Kashmir and author of "The World With Its Mouth Open," delves into the art of unsatisfying endings. He argues that unresolved conclusions can provoke deeper thought rather than simply frustrate readers. The discussion weaves through the nuances of storytelling, touching on the importance of authentic emotions and cohesive narratives. Rafiq also shares insights from his journalism background, emphasizing character development and the complexities of the writing process, encouraging writers to embrace chaos and surprise.
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Prioritize Endings; Create Open Endings
- Focus on endings more than beginnings, as they present a greater challenge.
- Endings should invite the reader to continue the story in their mind, not tie it in a bow.
Memoir Beginnings and Endings
- Start memoirs with inciting incidents, scenes, settings, or depictions of the "before".
- End with revelations, conclusions, reflections, or by circling back to the theme.
Two Types of Unsatisfying Endings
- There are two types of unsatisfying endings: emotionally unsettling and poorly crafted.
- Emotionally unsettling endings prioritize the story's needs, while poorly crafted endings fail to serve the narrative.