Zahid Rafiq, a writer from Kashmir and author of "The World With Its Mouth Open," delves into the art of unsatisfying endings. He argues that unresolved conclusions can provoke deeper thought rather than simply frustrate readers. The discussion weaves through the nuances of storytelling, touching on the importance of authentic emotions and cohesive narratives. Rafiq also shares insights from his journalism background, emphasizing character development and the complexities of the writing process, encouraging writers to embrace chaos and surprise.
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volunteer_activism ADVICE
Prioritize Endings; Create Open Endings
Focus on endings more than beginnings, as they present a greater challenge.
Endings should invite the reader to continue the story in their mind, not tie it in a bow.
volunteer_activism ADVICE
Memoir Beginnings and Endings
Start memoirs with inciting incidents, scenes, settings, or depictions of the "before".
End with revelations, conclusions, reflections, or by circling back to the theme.
insights INSIGHT
Two Types of Unsatisfying Endings
There are two types of unsatisfying endings: emotionally unsettling and poorly crafted.
Emotionally unsettling endings prioritize the story's needs, while poorly crafted endings fail to serve the narrative.
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The novel tells the story of Saleem Sinai, who is born at the stroke of midnight on August 15, 1947, the moment of India's independence from British rule. Saleem's life is intricately linked with the history of India, and he possesses telepathic powers that allow him to communicate with other 'midnight children' born between 12 a.m. and 1 a.m. on that date. Each of these children has unique magical powers, and Saleem acts as a conduit to connect them. The story spans various historical events in India, including the partition, wars, and the Emergency declared by Indira Gandhi. It explores themes of identity, history, and the fragmented nature of a newly independent nation[1][3][4].
The Catcher in the Rye
J.D. Salinger
The Catcher in the Rye follows Holden Caulfield, a teenager who has been expelled from Pencey Prep, as he spends three days wandering around New York City. The novel explores Holden's disillusionment with the world around him, his feelings of loneliness and disconnection, and his struggle to find genuine relationships. Despite his cynicism and criticism of others as 'phonies,' Holden reveals a deep emotional sensitivity, particularly in his interactions with his younger sister Phoebe. The book delves into themes of adolescent angst, the loss of innocence, and the search for meaning and purpose in a seemingly superficial world[2][4][5].
Great Expectations
Charles Dickens
Great Expectations is a classic novel by Charles Dickens that chronicles the life of Pip, a young orphan living in the marshes of Kent. The story begins with Pip's encounter with an escaped convict, Abel Magwitch, which sets off a chain of events that changes his life. Pip inherits a large fortune from an anonymous benefactor, which he uses to become a gentleman. However, his journey is marked by his unrequited love for Estella, the adopted daughter of the eccentric Miss Havisham, and his eventual discovery that his benefactor is not who he expected. The novel explores themes of social class, love, rejection, and the search for true identity, set against the backdrop of early 19th-century England.
The World With Its Mouth Open
The World With Its Mouth Open
Zahid Rafiq
Atonement
Ian McEwan
The novel centers around Briony Tallis, a thirteen-year-old girl who, in 1935, witnesses a flirtation between her older sister Cecilia and Robbie Turner, the son of a servant. Briony's incomplete grasp of adult motives and her precocious imagination lead her to make a false accusation that changes all their lives. The story follows the repercussions of this event through World War II and into the late 20th century, as Briony spends her life trying to make amends for her mistake. The novel is a complex exploration of guilt, atonement, and the nature of writing and memory.
This week’s show focuses on endings, and beginnings. Guest Zahid Rafiq, who’s written a short story collection whose endings serve the stories and his characters, speaks to how he thinks about endings, including those that others might find less than satisfying. We’re defending a particular type of ending, those in which writers may feel less than compelled to tie their story in a bow for readers. Brooke points to a series of YouTube shorts she did on beginnings and endings in memoir that we invite memoirists to check out, and we close the show with a Substackin’ post Brooke wrote inspired by Salman Rushdie’s keynote at the Kauai Writers Conference in November.
Memoir Nation 
