Creating Subtext in The Power of The Dog

How cutting music videos led to Peter’s editing career

Peter’s approach to getting hired for The Power of the Dog

Letting the audience figure things out vs. what you need to tell them

Piecing together an interactive story with specific clues

The funnest part of an editor’s job and focusing on believability

Ongoing conversations to determine which scene should go where and why

Finding an artificial way to make details feel organic

Final phase of fine tuning and calibration and knowing when a film is done with edits