Kiana Fitzgerald, author of Ode to Hip-Hop, discusses how women are leading hip-hop today but at what cost. Jason England, a hip-hop scholar, reflects on the genre's midlife crisis, questioning the shift from revolutionary to an establishment culture. The podcast explores persistent issues of homophobia and misogyny in hip-hop and the need for accountability. It also delves into the challenges and triumphs of women artists, highlighting Lil Kim and Nicki Minaj, and examines the treatment of women in the industry.
Hip-hop's 50th birthday celebrations fail to address the prevalent issues of misogyny and homophobia within the genre.
Despite the rise of successful women in hip hop, male artists, like Drake, continue to exhibit toxic behavior towards women.
Deep dives
Hip Hop's Midlife Crisis
Hip Hop, now 50 years old, is in a midlife crisis, according to critics. The genre has become corporate and unwelcoming, with misogyny and homophobia still prevalent. Celebrations and coverage of the anniversary fail to address these issues. Notably, prominent male rappers like Drake exhibit toxic behavior towards women. Despite the rise of successful women in hip hop, such as Cardi B and Megan Thee Stallion, men in the industry remain unsupportive. The fandom's continued support for misogynistic male artists like Drake reveals a stagnant state of affairs. However, there is hope for change as a new generation of women artists, like Doja Cat, emerge with a different approach to the genre.
Hip Hop and Its Treatment of Women & Queer People
Hip Hop has historically been unkind to women and queer people, perpetuating misogyny and homophobia. Women in hip hop have been held to strict standards, needing to appease the male gaze and conform to traditional roles. While progress has been made, with successful women artists like Cardi B and Megan Thee Stallion, women still face numerous challenges and scrutiny compared to their male counterparts. Queer representation in hip hop remains limited, with few resources and opportunities given to LGBTQ+ artists. Moving forward, it is essential for hip hop to become more inclusive and diverse, challenging ingrained biases and working towards empowering all voices.
The Duality of Women in Hip Hop
The rise of prominent women in hip hop, like Cardi B and Megan Thee Stallion, has brought a sense of empowerment and fun to the genre. However, this success has come at a cost, as women artists face heightened expectations and scrutiny. Female artists are still often commodified and expected to perform their womanhood for the male gaze. While they are breaking down barriers, the larger male-dominated industry still fails to fully support and uplift these women. There is a need for broader acknowledgment and appreciation of the women's contributions and experiences within hip hop.
The Need for Change in Hip Hop
Despite significant progress, hip hop continues to grapple with issues of misogyny, homophobia, and toxic masculinity. Male artists, exemplified by figures like Drake, perpetuate these problems despite the rise of successful women in the industry. The continued support for such artists reflects a stagnant state of affairs within the hip hop fandom. In order for the genre to truly move forward, there must be a collective reevaluation and stronger accountability for the harmful behaviors and attitudes that persist within the culture. Increased inclusivity, respect, and recognition of marginalized voices will be crucial for the future development of hip hop.
So much of the coverage of hip-hop’s 50th birthday has been fawning. Congratulatory. Devoid of meaningful critique. All that despite the fact that the art form has been soaked through with misogyny and homophobia from day one. So how do you celebrate hip-hop’s accomplishments while asking it to do better? Sam talks to journalist Kiana Fitzgerald, author of Ode to Hip-Hop, on how the women of hip-hop are leading the way today… but at what cost? And he catches up with hip-hop scholar Jason England, assistant professor of English at Carnegie Mellon University, who argues hip-hop’s midlife crisis has left an empty shell of what the genre once was.