Jafari S. Allen, "There's a Disco Ball Between Us: A Theory of Black Gay Life" (Duke UP, 2022)
Dec 25, 2023
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Jafari S. Allen, author of 'There's a Disco Ball Between Us: A Theory of Black Gay Life,' offers a sweeping and lively ethnographic and intellectual history of what he calls 'Black gay habits of mind.' He traces the genealogies of Black gay politics and cultures in various locations, from Nairobi to Toronto, and discusses the importance of archives and the inclusion of personal experiences in understanding Black gay life. The podcast explores topics such as the complexities of black masculinity, interracial desire, and the theorization of black gay experiences.
The book explores the formation of black gay life in the 1980s, highlighting key figures and cultural productions that shaped black queer communities.
The book examines the challenges of being a black queer scholar within institutional frameworks and calls for new methodologies and perspectives in black queer studies.
Deep dives
Main Idea #1: The book explores the formation and evolution of black gay life in the long 1980s
The first part of the book, 'A Stitch in Space-Time: The Long 1980s', delves into the formation and development of black gay life during that time period. It highlights the major figures, cultural productions, and social movements that shaped and influenced black queer communities. Through nuanced and in-depth analysis, the book examines the challenges, triumphs, and complexities of black gay life in the 1980s, shedding light on its historical significance and ongoing impact.
Main Idea #2: The second part explores the intersections of black queer politics and academia
The second part of the book, titled 'Black Queer Opulence, Black Queer Polis,' delves into the intersections between black queer politics and academia. It examines the complexities of being a black queer scholar within institutional frameworks, addressing the challenges and contradictions that arise. The book navigates through conversations about the institutionalization of black queer studies, the dynamics of personal and intellectual bonds, and the need for new methodologies and perspectives to engage the materiality and metaphysical aspects of black queer life.
Main Idea #3: The book emphasizes the importance of diverse voices and perspectives in understanding black gay life
Throughout the book, the author highlights the significance of diversifying voices and perspectives when examining black gay life. By curating an anthological approach, the book showcases the richness and complexity of black queer experiences, as well as the historical and intellectual contributions that have shaped the field. The author critically engages with the existing archive, while also emphasizing the need for new research, perspectives, and dialogues to further deepen our understanding of black gay life.
Main Idea #4: The book raises important questions about the current discourse around black gay life
The book prompts important reflections on the current state of discussions around black gay life. By emphasizing the material conditions, historical context, and intersecting identities of black queer individuals, the author invites readers to reevaluate prevailing narratives and approaches. The book underscores the significance of attending to both the material and metaphysical aspects of black queer life, while also encouraging a critical engagement with existing archives and the creation of new forms of knowledge.
In There's a Disco Ball Between Us: A Theory of Black Gay Life(Duke UP, 2022), Jafari S. Allen offers a sweeping and lively ethnographic and intellectual history of what he calls “Black gay habits of mind.” In conversational and lyrical language, Allen locates this sensibility as it emerged from radical Black lesbian activism and writing during the long 1980s. He traverses multiple temporalities and locations, drawing on research and fieldwork conducted across the globe, from Nairobi, London, and Paris to Toronto, Miami, and Trinidad and Tobago. In these locations and archives, Allen traces the genealogies of Black gay politics and cultures in the visual art, poetry, film, Black feminist theory, historiography, and activism of thinkers and artists such as Audre Lorde, Marsha P. Johnson, Essex Hemphill, Colin Robinson, Marlon Riggs, Pat Parker, and Joseph Beam. Throughout, Allen renarrates Black queer history while cultivating a Black gay method of thinking and writing. In so doing, he speaks to the urgent contemporary struggles for social justice while calling on Black studies to pursue scholarship, art, and policy derived from the lived experience and fantasies of Black people throughout the world.
Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.