Subtext: Conversations about Classic Books and Films Attachments “Die Hard” at Nakatomi Tower
Dec 6, 2021
The hosts dive into the debate about whether "Die Hard" is truly a Christmas movie, weighing criteria like snow and the ending song. They explore themes of marriage and family battling against materialism and globalization. Erin highlights the film's partnerships, contrasting working-class values with corporate villainy. They also unpack the satirical commentary on institutions like the FBI and media. Finally, they discuss McClane as a relatable, suffering hero and the cultural implications of setting the story in Los Angeles.
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Christmas As Thematic Device
- Die Hard stages a Christmas paradox: festive music and mess contrast with violence and destruction.
- Wes Alwan and Erin O’Luanaigh argue the film’s Christmas-ness is thematic, not seasonal.
Personal First Full Viewing
- Erin admits she'd never watched Die Hard straight through until recently and avoided Takagi's death.
- Her fragmented childhood view shaped her understanding of the film's scenes and sequel confusion.
McClane As Family Defender
- McClane represents relational values tied to family, not mere lone-cowboy machismo.
- The film pits domestic fidelity and working-class heart against social forces like materialism.
