For Brontez Purnell, “Memoir Is Fiction—I Don’t Care What Anyone Says”
Feb 20, 2024
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Brontez Purnell, a multi-talented artist, challenges traditional memoir writing by blurring the lines between truth and fiction. He discusses how he protects himself in his writing and addresses controversial topics like HIV and raw sexuality with a unique perspective.
In memoir writing, the author believes truth is subjective and often fictionalized to protect oneself and others.
The author challenges societal norms by portraying sex in an unromanticized, realistic manner in their writing.
Deep dives
Honoring Deep Platonic Love
The memoir discusses the author's tendency to uplift and celebrate deep platonic love in their work, highlighting the importance of these non-romantic connections in their life and writing. Through a section of the book called 'For Jackson Howard,' the author expresses their love for a friend and editor, emphasizing the significance of these platonic relationships that often go unnoticed in society.
Challenging the Notion of Memoir
The podcast delves into the author's perspective on the concept of memoir. They view memoir as complete fiction, revealing that even when writing about their own life, they alter details and protect themselves from potential legal issues. By writing within the framework of memoir, the author questions the societal preference for memoirs over fiction, emphasizing that both genres offer valuable insights into the human experience.
Sexuality, Aging, and Writing
The discussion explores the author's portrayal of sex in their writing. They describe their style as 'anti-erotica,' challenging traditional notions of sexual writing by emphasizing the real, messy, and sometimes humorous aspects of sex. Additionally, the author reflects on their evolving perspective on sexuality and aging, highlighting how their experiences as a gogo dancer, as well as their foray into music, have influenced their writing and provided different avenues for self-expression.
Brontez Purnell is a Renaissance man. He’s a musician, a dancer, a filmmaker, and the author of a number of books. His latest is “Ten Bridges I’ve Burnt,” a departure from the traditional memoir form. It's written in verse and playfully embellishes the truth throughout. “Memoir is fiction—I don’t care what anyone says,” Purnell tells The New Yorker Radio Hour’s Jeffrey Masters. “You [or] I could both write down our lives as true as we know it. But the second our mom reads it, or one of our siblings reads it, or anybody else peripherally in the book, they can easily say, ‘What are you talking about? That never happened like that.’ ” Purnell, who came of age in the underground punk scene in Oakland, California, during the early two-thousands, is no stranger to hard knocks, but that doesn’t mean he needs to divulge everything. “If you write about your life, you have to protect the wicked; namely, yourself,” he says. “So there is this game of pulling and punching.”
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