The new one-woman play 'The Road to Damascus' reinterprets the biblical story of Saul and the tale of Little Red Riding Hood as an allegory for white complicity in the US prison system and the possibility of redemption through anti-racism. Creator and performer Kathy Randels joins Rattling the Bars to discuss her new work.

Studio/Post-Production: Cameron Granadino

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'The Road to Damascus' confronts white supremacy with theater | Rattling the Bars