The play follows Caius Martius, later known as Coriolanus, a Roman general who is celebrated for his military prowess but despises the common people. After being nominated for consul, he is unable to win the people's vote due to his arrogance and contempt for them. This leads to his banishment from Rome, after which he allies with his former enemy, Tullus Aufidius, to attack Rome. However, his mother Volumnia persuades him to spare the city, leading to his betrayal by Aufidius and his eventual death. The play explores themes of power, masculinity, honor, and the complexities of political life in ancient Rome.
King Lear, written by William Shakespeare around 1604-1606, is a tragedy that follows the story of King Lear, who decides to retire and divide his kingdom among his three daughters: Goneril, Regan, and Cordelia. The division is based on the eloquence of their declarations of love for him. However, Lear's youngest and favorite daughter, Cordelia, refuses to flatter him and is disinherited. The play unfolds with Lear's descent into madness, the betrayal by his elder daughters, and the subplot involving the Earl of Gloucester and his sons. Ultimately, the play ends in tragedy with the deaths of Lear, Cordelia, and several other main characters, highlighting themes of deception, power, and the consequences of poor judgment[1][2][5].
The Tempest, written around 1610-1611, is one of Shakespeare's last solo works. The play revolves around Prospero, the former Duke of Milan, who was usurped by his brother Antonio and left to die at sea with his infant daughter Miranda. They survive and find refuge on a remote island, where Prospero masters magic and enslaves the native Caliban and the spirit Ariel. When a ship carrying his enemies passes by, Prospero conjures a tempest to bring them ashore. The play explores themes of magic, betrayal, revenge, and forgiveness as Prospero manipulates the shipwrecked characters to rectify past wrongs and ultimately forgives them. The story also includes the romance between Ferdinand, the King of Naples' son, and Miranda, and ends with Prospero's decision to return to Milan and reclaim his dukedom[2][3][5].
In 'The God Delusion', Richard Dawkins argues that the belief in a supernatural creator, God, is almost certainly false and qualifies as a delusion. He examines God in various forms, from the Old Testament to the Celestial Watchmaker, and critiques the major arguments for religion. Dawkins discusses how religion fuels war, fosters bigotry, and abuses children, and he advocates for atheism as a morally and intellectually fulfilling worldview. The book also explores the relationship between religion and morality, suggesting that morality can exist independently of religion, and argues against the teaching of religion in schools as a form of indoctrination[2][3][4].
The Finkler Question is a tragic-comedic novel that delves into the complexities of Jewish identity, friendship, and belonging. It follows Julian Treslove, a non-Jewish man obsessed with Jewish culture, and his relationships with his Jewish friends, Sam Finkler and Libor Sevcik. The novel explores themes of anti-Semitism, Zionism, and the challenges of modern Jewishness.
In 'Live a Little', Howard Jacobson crafts a tender and humorous tale of unlikely love between Beryl Dusinbery, a feisty nonagenarian struggling with memory loss, and Shimi Carmelli, a recluse with perfect recall. The novel explores themes of aging, memory, love, and the complexities of human relationships, all set against the backdrop of North London.
Published in 1866, 'Crime and Punishment' is a psychological novel set in St. Petersburg, Russia. It revolves around Rodion Raskolnikov, an impoverished and intellectually gifted former student who formulates a theory that some individuals are morally justified in committing crimes for the greater good of society. Raskolnikov puts this theory to the test by murdering an old pawnbroker and her half-sister, leading to a profound exploration of his psychological and emotional struggles with guilt, paranoia, and the consequences of his actions. The novel delves into socio-economic disparities, moral dilemmas, and the psychology of criminals, making it a classic of Russian literature and existential thought[2][4][5].
The play follows Timon, a wealthy and generous Athenian who hosts lavish banquets and gives away his wealth to his friends. However, when he falls into debt, his friends abandon him. Betrayed and disillusioned, Timon renounces humanity and retreats to a cave, where he discovers a cache of gold. He uses this gold to fund Alcibiades' revenge against Athens and to spread misery among his former friends. The play explores themes of friendship, betrayal, and misanthropy, culminating in Timon's death in isolation, despite the later recognition of his worth by Alcibiades and the people of Athens[1][2][4].
Adam and Eve, Noah’s Ark, Moses and the Ten Commandments, the parting of the Red Sea. These are a few of the stories from the Old Testament. And then there’s the New Testament, with its account of the life of Jesus, the Good Samaritan, the raising of Lazarus and the feeding of the five thousand. Whatever our creed or background, these stories are embedded in our consciousness. They inform our everyday speech and much of our art, music and literature. But which of these books is the greater? For this archive episode, we gathered expert voices to consider the question including writer and broadcaster Anne Atkins, Booker Prize-winning novelist and journalist Howard Jacobson, Professor of Theology and Culture in the African Diaspora Robert Beckford, and Anglican priest and presenter the Rev. Richard Coles. Hosting the discussion is broadcaster, comedian and author David Baddiel.
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