

147 - Imagination at the Heart of Reality (Showmanship & Play 29 of 30)
What if imagination isn't just fantasy, but the very faculty that brings our world into existence? In this philosophical deep dive, we explore the fifth and final criteria of play: that it is imaginative and improvisational.
Unlike previous episodes in this series, I'm not arguing that imagination benefits performers—that connection is self-evident. Instead, we're examining imagination as the arena where showmanship unfolds. From the initial creative impulse to the finished performance, imagination pulls things into existence, transforming fleeting ideas into tangible reality. Whether I'm developing a kung-fu card routine or connecting with fellow artists like Ben Hart, imagination is both the process and the destination.
Drawing on Samuel Taylor Coleridge's profound distinction between "fancy" (mere recombination of existing elements) and true "imagination" (the fundamental creation of reality), we discover how performers participate in something approaching the sacred. When Coleridge describes imagination as "a repetition in the finite mind of the eternal act of creation," he's elevating our creative work beyond entertainment into genuine co-creation with reality itself.
The space where imagination thrives best is what poet David Whyte calls "just beyond yourself"—that frontier between inner and outer worlds where we momentarily forget ourselves and are restored by what we meet. Here, in this conversational intercourse with reality, true freedom emerges. Through improvisation, we learn to trust our impulses, revealing ourselves to ourselves through the choices we make.
What distinguishes a shopping mall clown wearing a plastic wig from a transcendent artist like Slava Polunin? One remains a shallow collage of clown elements; the other creates a living entity that reveals deeper truths. Intelligence—from the Latin "inter" (between) and "legere" (to choose)—means choosing wisely between options, the very heart of improvisation and imagination.
As we conclude this exploration of play and showmanship, remember that we play "because it's fun, because we want to do it for its own sake and our own sake, and because we love to explore the rules of all possible ways of relating." In play, we find our fullest expression as human beings.
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