The end of the great streaming content boom has brought with it a responsibility by the entertainment industry to address the compensation issues presented by the digitial transition to the creative community, as reflected by the writers strike. So says Paul Lee, CEO of Wiip, the production banner behind “Mare of Easttown,” “The Summer I Turned Pretty,” “The White House Plumbers,” “Dickinson" and more. In a candid interview, the Disney veteran discusses who the tightening in the content marketplace will be good for independent producers in the long run.
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