A History of Rock Music in 500 Songs Song 173: “All Along the Watchtower”, Part One: “He’s Not the Messiah”
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Mar 25, 2024 Exploring the origins and impact of 'All Along the Watchtower' by Bob Dylan, contrasting his artistry with John Lennon, and his transition towards country music. Delving into collaborations with Johnny Cash, recording sessions, and unique vocal choices in 'Nashville Skyline'. Discussing the unconventional album 'Self-Portrait' and the underwhelming 1969 Isle of White Festival performance.
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Dylan's Privacy
- Bob Dylan, unlike his contemporaries, is intensely private, making interpreting his art challenging.
- He avoids explicit autobiographical interpretations, forcing reliance on limited information and his work.
Dylan's Country Influence
- Before his motorcycle accident, Dylan leaned towards country music, recording in Nashville with musicians like Kenny Buttrey.
- During basement tape sessions, he covered country artists like Bobby Bare, whose hit satirized Elvis.
Grossman and Royalties
- Dylan's manager, Albert Grossman, profited significantly from Dylan’s royalties, mirroring Elvis's manager.
- Dylan, feeling exploited, wrote prolifically in 1967, possibly to fulfill obligations and regain control.