You're Not a DP Until You've Cut Your Own Material

John Brawley’s career journey and how he was able to keep moving forward toward his goal of being a cinematographer, even while going through rough patches.

The various jobs Brawley did in the film industry in his early days and how they served as a sort of film school for him.

How film work is a lifestyle and often doesn’t leave much time for a personal life.

Why having to edit your own shots is vital to becoming a good cinematographer.

The formal education programs Brawley went through.

Brawley’s experience with Blackmagic cameras and how he’s known the founder for a long time.

What went into Blackmagic cameras’ designs.

The factors that come into play for Brawley when choosing a camera for a shoot and other decisions a cinematographer must make that may be even more important than camera type.

Unique challenges that come up when working on a TV series.