

‘Anora’ Is Pure Cinema and the Best Picture Race Is Completely Up in the Air
Open Best Picture Race
- The Best Picture race is wide open this year, lacking a clear frontrunner like recent years.
- Sean Fennessey notes the unusual uncertainty compared to previous years with dominant films.
Anora's Best Picture Potential
- Anora is a strong contender for Best Picture, despite its unconventional subject matter.
- Sean Fennessey considers it a frontrunner in the current race.
The Brutalist's Reception
- The Brutalist received positive reviews at festivals, with A24 releasing a striking poster.
- Sean Fennessey praises the film's powerful and monumental qualities, suggesting Academy appeal.






















Now that ‘Anora’ has hit select theaters, Sean assesses the state of the Best Picture race by running through a long (emphasis on long) list of 26 films that have a chance to be nominated at the Oscars (1:00). Then, Sean and Amanda discuss ‘Anora,’ Sean Baker’s Palme d’Or–winning drama about a whirlwind romance between a sex worker and the son of a Russian oligarch (30:00). Finally, Sean is joined by John Crowley, the director of the new Andrew Garfield and Florence Pugh romance ‘We Live in Time’ (1:15:00). They discuss, among other things, the qualities that attracted Crowley to Garfield and Pugh, how he chooses to work in film vs. theater, his long-running project of sincere romantic dramas, and more.
Hosts: Sean Fennessey and Amanda Dobbins
Guest: John Crowley
Senior Producer: Bobby Wagner
Video Producer: Jack Sanders
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