
Episode 71 - The Play's The Thing
Jan 20, 2019
Explore the pivotal moments in Hamlet's journey as he wrestles with self-reproach and frustration. Discover the intriguing differences between the Folio and Quarto texts, and delve into Hamlet's clever plan to use a play to expose King Claudius. Conor Hanratty highlights the tension of doubt surrounding the ghost's intentions, making it a turning point in Hamlet's quest for truth. The narrative smoothly transitions from introspection to action, highlighting Shakespeare's intricate character development.
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Turning Thought Into Strategy
- Hamlet shifts from self-reproach to a concrete plan, moving the scene from paralysis toward action.
- Conor Hanratty shows this as a turning point where thought becomes theatrical strategy.
Gendered Self-Scorn
- Hamlet uses gendered imagery to shame himself for speaking instead of acting, reflecting period attitudes.
- Conor notes the language is harsh and rooted in outdated views of women, yet reveals Hamlet's despair.
Seeing Characters Think Aloud
- Shakespeare lets characters think aloud, reducing reliance on subtext and giving direct access to cognition.
- Conor emphasizes that Hamlet's spoken thought lets the audience watch his mind at work.
