Bio: For those who love to experience music, look no further than Supertask. With deep roots in hip-hop and a focus towards immersion, Supertask creates sonic landscapes that dance between the intensity and stillness of the human consciousness. With a background in IT, Supertask frequently uses code and programming in his artistic vision, and the idea of infinity consumes his musical escapism offerings. A vision that his loyal community, the Dev Team, are directly involved in. Blending both analog and digital sound design, his unique approach has proven to be a driving force in the forward progression of electronic music. Through soundscapes that feel sentient, interactive live streams, and mind-bending visuals, Supertask is changing the way that we consume art.
Mr. Bill's Links News:
Single Release: 4/21 Collaboration EP With "Seeded Vision" comes out this summer.
Show Takeaways:
Brain-computer interfaces have the potential to revolutionize music creation, but there are challenges to overcome, such as data transfer and the role of musical knowledge. AI can be a useful tool in music production, from generating lyrics to providing information about plugins and audio files. Creativity is subjective, and the definition of creativity can vary from person to person. AI can be creative in its ability to generate music, but a sense of ownership and sentimental value may be lacking. Imperfections and randomness can add depth and authenticity to music production, and tools like Eurorack can provide unique sounds and experiences. Language has limitations in expressing emotions in music, and the complexity of defining concepts like holes and chairs highlights the challenges of categorization.
Chapters: 00:00 Introduction 00:35 Understanding Supertask 04:08 AI and Music in the Subset of Noise 07:59 Human Resolution with Color and Sound 09:39 Resolution and Possibilities in Audio 11:04 The Perception of Music and Noise 12:08 Cultural Influence on Music Perception 13:20 The Universality of Music Perception 14:25 Microtonal Scales and Musical Perception 15:21 Exploring Microtonal Music 19:22 The Concept of Simulation Theory 25:10 The Possibility of Living in a Simulation 28:08 Exploring Music and Visual Art 29:27 Scripted Looping in Music Production 34:29 The Ego and Live Performances 36:15 The Challenge of Performing Live Electronic Music 37:38 The Limitations of Live Performances 37:39 The Role of Input Devices in Music Expression 38:24 Exploring the Potential of Brain-Computer Interfaces 39:05 Speculating on the Future of Music Creation 40:00 The Role of Musical Knowledge in Brain-Computer Interfaces 40:49 The Challenges of Data Transfer in Brain-Computer Interfaces 42:19 The Role of AI in Brain-Computer Interfaces 42:50 The Increasing Predictability of Human Behavior 45:01 Using AI in Music Production 47:16 The Usefulness of AI in Answering Questions and Providing Information 48:34 The Definition and Nature of Creativity 51:17 The Subjectivity of Intellectual Property and Creativity 52:09 Exploring Unreal Engine and its Potential in Music Visuals 53:18 The Potential Disruption of AI and Sora in the Film Industry 54:00 The Limitations of AI in Music Generation 57:52 The Importance of Imperfection in Music Production 58:18 Using Randomness and Mistakes in Sound Design 01:00:19 The Appeal of Eurorack and Imperfections in Music 01:02:41 The Sense of Ownership and Sentimental Value in Music 01:04:34 The Potential of AI in Music Creation 01:06:28 The Interactive and Symbiotic Nature of Music Production 01:09:04 The Difficulty of Expressing Authenticity Through AI 01:11:36 The Limitations of Language in Expressing Emotions in Music 01:12:02 The Complexity of Defining Concepts like Holes and Chairs 01:14:04 The Process vs. the Final Product in Music Creation 01:14:46 Future Plans and Projects