Tech, Innovation & Society - The Creative Process: Technology, AI, Software, Future, Economy, Science, Engineering & Robotics Interviews cover image

Tech, Innovation & Society - The Creative Process: Technology, AI, Software, Future, Economy, Science, Engineering & Robotics Interviews

LINDSEY ANDERSON BEER - Writer, Director, Producer - Pet Sematary: Bloodlines - Sleepy Hollow - Bambi

Oct 17, 2023
42:38

Lindsey Anderson Beer wrote and executive produced the hit Netflix original dramedy Sierra Burgess is a Loser before making the jump to direct the horror genre with Pet Sematary: Bloodlines, starring Jackson White and Natalie Alyn Lind. The story is based on an untold chapter of Stephen King's self-proclaimed, scariest property of all time. Up next, she will helm Paramount’s Sleepy Hollow reboot as the writer, director, and producer. She also has several projects in various phases of development and production, including Disney's live action remake of Bambi, New Line's Hello Kitty, and Universal's Fast and Furious spinoff, which she wrote with Geneva Robertson-Dworet. Under her production banner Lab Brew, Lord of the Flies will be directed by Luca Guadagnino and written by Patrick Ness for Warner Bros.

"It's such a difficult and huge, huge, huge issue. And for me, it's absolutely not one-sided. And it's not a simple answer. Anybody who thinks that AI is going to completely save us is fooling themselves. And anybody who thinks that AI is just evil or harmful is also overlooking the very obvious benefits from drug and cancer research and other illnesses. And there are so many things that AI can help us solve very quickly that we don't yet have solutions to. That said, AI is made by us and it is filled with our own biases. And when you enable an incredibly smart, but biased and flawed thing to rule your life, that's never going to end up with a good outcome.

So I think we need a lot of regulations and that we should be very scared of what happens when we allow AI to become too smart because at that point regulations aren't going to help. I honestly don't know if we've crossed that threshold. If we haven't, we're very close to crossing the threshold, in my opinion, of not being able to control what we've created, and that does scare me.

For the creative process in particular, beyond the fact that it wouldn't make any sense for people to use AI because you can't copyright it, so studios and networks wouldn't own their own material, I can't even begin to tell you how many problems I see with using AI in the writing or directing process.

I think science fiction is its own animal. This is why it has always been my first love. And it really allows you to think about our connection to the universe, to kind of be a futurist and think about what society could look like or has looked like. And I think there's no other genre for me, at least, where I feel like action and consequence and forecasting and imagination, all of those things can kind of come together in one story. Stories are inherently subjective. There's only one way to tell a great story and that is for the subject and the storyteller to have an authentic and strong point of view."

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