
The Empire Film Podcast Jenny Beavan: An Empire Podcast Interview Special
Nov 12, 2025
Jenny Beavan, a celebrated costume designer with three Oscars and a rich career, shares insights on her latest project, The Choral. She discusses her creative process, revealing how she visualized the muted colors of Yorkshire in 1916. Beavan reflects on balancing historical accuracy with storytelling and how working within different budgets influences authenticity. She also recounts her collaboration with actors, including crafting Ralph Fiennes' costumes. With career wisdom, Beavan offers valuable advice for aspiring designers while recalling her early days with Merchant Ivory.
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Costumes Start As Mental Images
- Jenny Beavan visualises costumes and colours from scripts, likening it to listening to a radio play that forms clear images.
- She often fills black-and-white research with imagined greys and blues to match mood and setting.
Colour Serves Story, Not Gimmickry
- Beavan treats colour choices as story tools but keeps them realistic to character and period rather than theatrical signals.
- Unexpected hues (like convalescent blue) can work if lighting and context are handled thoughtfully.
Finding The Character In A Single Suit
- Jenny describes dressing Ralph Fiennes by finding an existing suit that felt slightly German without overdoing it.
- Cosprop's stock often supplies near-perfect pieces needing minimal alteration.


