Celine Song’s new MATERIALISTS feints at being a romcom, but it’s far too interested in the economic realities and calculated compromise of modern dating for the label to be a comfortable fit; its romantic leanings are more in line with the works of Jane Austen and several cinematic adaptations thereof, as laid out in the “movie syllabus” Song made for her film and which inspired this pairing. But MATERIALISTS is more of a riff on Austen than a flat-out homage, and Song’s spin on the material worked better for some than others on this panel. We get into that before bringing Austen back into the picture via Joe Wright’s PRIDE & PREJUDICE to see how past speaks to present when it comes to the intersection of wealth and marriage, the art of matchmaking, nature as the realm of romance vs. the cold scrutiny of society, and the centuries-spanning fear of being “left on the shelf” as a single woman. Then in Your Next Picture Show we touch on some of the other films on Song’s list and how they might have fit into this pairing as a triple feature.

Please share your thoughts about PRIDE & PREJUDICE, MATERIALISTS, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730.

Next Pairing: Joseph Kosinski’s F1 THE MOVIE and Adam McKay’s TALLADEGA NIGHTS: THE BALLAD OF RICKY BOBBY

Intro: 00:00:00-00:02:43

Materialists discussion: 00:02:43-26:43

Materialists/Pride & Prejudice Connections: 00:26:43-52:41

Your Next Picture Show: 00:52:41-00:57:11

Next episode preview and goodbyes: 00:57:11-end

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#481: For Love or Money, Pt. 2 — Materialists