Chapters
Transcript
Episode notes
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27
Introduction
00:00 • 2min
Isimply, You Just Got on a Plane and Went to New York
02:21 • 2min
The Story of a New York Filmmaker
04:36 • 3min
Film School - How Did You Get to Do Your First Movie?
07:11 • 3min
What Was Your First Big Break?
10:24 • 2min
We're Running More Power Than They Ran on Hong at King Kong
12:44 • 4min
You Know, It's Really Beautiful to Have One Camera
17:04 • 2min
Crimson Tide and Ridley
19:15 • 2min
The References Are Enough, You Know?
21:28 • 2min
How Does Your Approach Change When You're Working With Other Directors?
23:31 • 2min
I Love News of the World, It's a Challenge, Yesbu It'
25:44 • 3min
How Do You Keep Control of Continuity?
28:26 • 2min
Lightsye
30:50 • 2min
Is This a New School Film?
33:15 • 2min
How Do You Work With Vigial Effects Supervisors?
35:36 • 2min
Is Conot Work?
37:38 • 2min
I've Never Believed in a Perfect Exposure
39:41 • 2min
You Shot Bartn Fink, Didn't You?
42:01 • 2min
The Visual Effects in Movies - Isn't It?
44:15 • 2min
Are You Really Aware of Shot on Film or Digil?
46:06 • 3min
,?
49:22 • 2min
Do You Shoot Three D on Pirates?
51:00 • 3min
I'm a Three-Ti Guy, I'll Earn Enough, Did My Home Workdnd
54:28 • 5min
Do You Ever Watch Your Old Movies?
59:01 • 3min
The Longest Timer, Is It?
01:01:41 • 3min
Did You Feel Like Giving Up?
01:04:54 • 3min
I'll Leave You My Island When You Grow Up
01:08:06 • 2min