Team Deakins

Dariusz Wolski - Cinematographer

Sep 26, 2021
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Episode notes
1
Introduction
00:00 • 2min
2
Isimply, You Just Got on a Plane and Went to New York
02:21 • 2min
3
The Story of a New York Filmmaker
04:36 • 3min
4
Film School - How Did You Get to Do Your First Movie?
07:11 • 3min
5
What Was Your First Big Break?
10:24 • 2min
6
We're Running More Power Than They Ran on Hong at King Kong
12:44 • 4min
7
You Know, It's Really Beautiful to Have One Camera
17:04 • 2min
8
Crimson Tide and Ridley
19:15 • 2min
9
The References Are Enough, You Know?
21:28 • 2min
10
How Does Your Approach Change When You're Working With Other Directors?
23:31 • 2min
11
I Love News of the World, It's a Challenge, Yesbu It'
25:44 • 3min
12
How Do You Keep Control of Continuity?
28:26 • 2min
13
Lightsye
30:50 • 2min
14
Is This a New School Film?
33:15 • 2min
15
How Do You Work With Vigial Effects Supervisors?
35:36 • 2min
16
Is Conot Work?
37:38 • 2min
17
I've Never Believed in a Perfect Exposure
39:41 • 2min
18
You Shot Bartn Fink, Didn't You?
42:01 • 2min
19
The Visual Effects in Movies - Isn't It?
44:15 • 2min
20
Are You Really Aware of Shot on Film or Digil?
46:06 • 3min
21
,?
49:22 • 2min
22
Do You Shoot Three D on Pirates?
51:00 • 3min
23
I'm a Three-Ti Guy, I'll Earn Enough, Did My Home Workdnd
54:28 • 5min
24
Do You Ever Watch Your Old Movies?
59:01 • 3min
25
The Longest Timer, Is It?
01:01:41 • 3min
26
Did You Feel Like Giving Up?
01:04:54 • 3min
27
I'll Leave You My Island When You Grow Up
01:08:06 • 2min