Director John Crowley discusses the craft of storytelling and directing, the power of the human face in the closeup, differences in budget, working with actors, the pleasure of the filmmaking process, and the challenges he faces on set. They also delve into adapting plays into film, exploring the complexity of violence, leaving the audience to make up their own minds, the power of imagination, the intimacy of operating the camera, and career growth in filmmaking.
Directing for film requires careful planning, attention to technical elements, and understanding the camera's role in storytelling.
Working with smaller budgets and shooting on location allows for a more intimate and collaborative environment, adding authenticity and variety to the film's narrative and visual style.
Casting plays a vital role in creating the emotional pulse and heart of a film, and finding talented character actors who bring the tapestry of the film to life is a joy.
Deep dives
John Crowley's journey to becoming a director
John Crowley, a talented director known for films like Boy A and Brooklyn, shares his journey to becoming a director. Initially interested in acting and theater, he discovered his passion for directing while in university. He taught himself about filmmaking and was inspired by the exciting period in the Irish film industry. Through his experiences in theater and as an assistant director, he eventually made his first short film and went on to direct plays before getting the opportunity to direct his first feature film.
The difference between theater and film
Crowley discusses the difference between directing for theater and directing for film. He highlights the collaborative industrial process of filmmaking, which involves trucks, logistics, and an army of people. In contrast to the creative process of rehearsing and creating with actors in theater, film requires more planning, attention to technical elements, and an understanding of the camera's role in storytelling. Crowley explains how the camera's use of close-ups and camera movements can convey meaning and create a different viewing experience compared to live theater performances.
The benefits of small budgets and location shooting
Crowley shares his perspective on working with smaller budgets and shooting on location. He describes the creative freedom and problem-solving that comes with limited resources. Working with a small team and focusing on the actors and the visual language of the film allows for a more intimate and collaborative environment. Crowley also expresses his preference for location shooting, as it adds authenticity and variety to the storytelling, offering opportunities to explore real-world spaces and incorporate the unique elements of a location into the film's narrative and visual style.
Importance of Casting in Filmmaking
Casting is a critical aspect of filmmaking, determining the emotional pulse and heart of a film. It plays a vital role in creating the mosaic of characters and world-building. While attracting financing may influence casting choices, it is important not to sacrifice the integrity of the film. The casting process involves meeting actors, reading with them, and assessing their chemistry. The joy comes from finding talented character actors who bring the tapestry of the film to life. Casting is about creating conditions that capture the magic of performance and communicate with the audience.
The Power of Small Scale Filmmaking
More money does not always result in better filmmaking. Small, low-key films can have a profound impact on audiences when done well. Authenticity and voice are crucial, regardless of the filmmaker's location. While being in major film markets may provide certain opportunities, technological advancements enable remote collaborations. The focus should be on developing one's craft, exploring unique perspectives, and creating films with depth. Small-scale films often surprise and dominate conversations, proving that human dramas have a place alongside big-budget blockbusters.
Team Deakins sits down with friend and collaborator, John Crowley, director of such films as BOY A, BROOKLYN, and THE GOLDFINCH. We do a deep dive into the craft of storytelling and directing. John eloquently shares with us his thoughts on directing and the challenges he faces on set. We look at how you tell a story in film, the power of the human face in the closeup, what differences the budget makes, working with actors and the pleasure of the entire filmmaking process. We also talk about Boy A, an early film of John’s, which is a favorite film of ours. A great discussion with a passionate filmmaker.
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