Stephen Nichols, a distinguished scholar, delves into the fascinating world of the Apocalypse Tapestry, commissioned by Louis I in 1382. He discusses this grand visual narrative of the Book of Revelation and its significance in the context of wealth and power. Nichols also highlights the tapestry's tumultuous history, including the restoration efforts following damage during the French War. The conversation reveals not just art but a rich narrative of faith and history woven into each glorious thread.
The Apocalypse Tapestry, commissioned by Duke Louis I, is a stunning representation of Revelation reflecting the political tensions of its era.
Restoration efforts in the mid-20th century allowed for the first indoor exhibition, reviving appreciation for the tapestry's historical significance.
Deep dives
The Grand Tapestry of the House of Valois
The Chateau d'Angie, ancestral home of the Dukes of Anjou, is notable for its impressive tapestry commissioned by Duke Louis I, which took five years and involved 35 weavers. This tapestry, a staggering 450 feet long and 20 feet high for each panel, could not be fully displayed within the castle due to its immense size. Instead, it was arranged for outdoor exhibitions during fairs, festivals, and significant events, showcasing the wealth and status of the Duke. The vivid visual storytelling depicted in the tapestry included scenes from the Book of Revelation, aligning with the political narratives of the time, particularly during the tumultuous 100 Years' War between France and England.
The Fate of the Tapestry Through History
Following its completion in 1382, the tapestry was displayed intermittently for about a century before being moved to the Chateau d'Angie in 1480, where it could only be partially showcased. Over time, many of its panels were lost, damaged, or scattered, especially during the upheaval of the French Revolution. It wasn't until the mid-20th century that a major restoration effort gathered the remaining pieces for display in a central hall of the Chateau. This restoration allowed for the first indoor exhibition of the Apocalypse tapestry, bringing together its grandeur and historical significance for the public to appreciate once again.
Commissioned by Louis I and completed in 1382, the massive Apocalypse Tapestry is a visual representation of the book of Revelation. Today, Stephen Nichols discusses the creation of this masterpiece and its eventual restoration after surviving damage during the French War.