
The New Yorker: Fiction Julian Barnes Reads Frank O’Connor
Feb 12, 2010
Julian Barnes, a celebrated novelist and editor of 'The Best of Frank O'Connor', discusses his admiration for O'Connor’s storytelling. He delves into O'Connor's complex reception in Ireland versus the U.S., highlighting bans and academic interest. Barnes examines 'The Man of the World', emphasizing its child’s perspective and the pivotal attic scene that shapes the narrator. He also explores themes of guilt, curiosity, and O'Connor's unique narrative voice, stressing how childhood memories influence adult understanding.
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How Barnes Discovered O'Connor
- Julian Barnes describes discovering Frank O'Connor via an old Penguin titled My Oedipus Complex which hooked him immediately.
- He later edited collections of O'Connor and calls him undervalued, especially in Ireland and England.
O'Connor's Irish 'Re-Importing'
- Barnes argues O'Connor always transported stories back to Ireland, transforming them into purely Irish tales.
- That re-importing shaped O'Connor's persistent Irish voice despite his time in the United States.
Childhood As Complex Territory
- Barnes highlights O'Connor's exceptional memory for childhood and his unsparing portrayal of childhood's complexities.
- He credits O'Connor with capturing pretension, selfishness, and the lasting losses of childhood.








