What does every writer get that every writer hates - but every writer needs? It's NOTES. Strong feedback is the most effective to grow as a writer, but getting feedback can also feel like getting your guts clawed out. How do writers know which notes to listen to and which notes to ignore? Why can't execs just leave our "perfects" scripts alone already? What kind of notes can do more harm than good? And which notes can take "good" writing and make it GREAT?
Steve and Tananarive chop it up!
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