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Paid subscribers also get access to The Weather Report, a monthly episode series where we take stock of where the cultural winds are blowing and tell you what’s rained into our brains. On our latest installment, we chat with Billboard editor Katie Bain, author of a new history of Coachella, about what the festival’s 2026 line-up tells us about where culture is headed, the rise of anti-sellout discourse, and the AI industry’s nostalgic, artisanal rebrand.

Since our last episode, something historic happened: Zohran Kwame Mamdani was elected mayor of New York City, marking the American left’s most significant electoral victory since the Bernie movement took off in the 2010s. While his team will credit his win to bold, populist economic policies, there’s no denying another factor at play: Zohran’s extraordinary command of images. He grew up in a film-director household, rapped as Young Cardamom before pivoting to politics, and hired a crew of indie filmmakers to create a video campaign that unfolded like a documentary love letter to the NYC of halal carts, bodega cats, and ordinary working people.

Zohran’s media fluency is also why people are calling him the Left’s answer to Trump. Which all raises some big questions: Is politics in the information economy becoming indistinguishable from theatrical world-building? And what does that mean for our offline lives?

This week’s guest, writer and artist Gideon Jacobs, has thought about these questions for years. A former creative director at Magnum Photos, child actor, and native New Yorker, Gideon has explored our cultural relationship to images in outlets like The New Yorker, The New York Times, Artforum, and Los Angeles Review of Books, for whom he penned an excellent piece earlier this year called “Player One and Main Character,” which contends that political reality, post-Trump and post-Musk, is beginning to bend to the rules of fiction.

We talk about the aesthetic politics of the Zohran campaign and what it tells us about what successful counter-programming to MAGA’s vision of America might look like. We also discuss what Gideon’s study of the role of images in ancient cultures and religions can tell us about navigating the image world of the present, how the rise of populism (on both the left and the right) is inextricable from our current technological moment, and whether Zohran’s victory marks the start of a political future more grounded in material conditions—or the next phase of the image arms race.

Follow Gideon on Instagram

Read Gideon:

“Player One and Main Character” (Los Angeles Review of Books)

“Trump l’Oeil” (Los Angeles Review of Books)

“Thou shalt not make images—but what if AI does?” (Document Journal)

“Aliens” (The Drift)

Additional reading:

“Selling Zohran” by Corey Atad (Defector)

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