Chapters
Transcript
Episode notes
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32
Introduction
00:00 • 3min
Tod Mc Gow Takes
03:14 • 2min
The Notsies in Casa Blanca
05:11 • 2min
Constraint Is Not an Obstacle
06:49 • 3min
What's the Naive Overarking Look at the Film?
10:05 • 2min
The Christmas Film Is the Fundamental Critique of Cynicism, Right?
11:42 • 3min
The Constraint in People Wrongly
14:20 • 3min
The Love Event, the Political and in Love
17:15 • 2min
Adam's Rib, You Know, Is It?
18:51 • 3min
Raman's Not Like You've Got a Retreat
21:22 • 2min
I'll Doo Allmost Famous Is a Pretty Good Example
23:34 • 5min
The Horse Vessel Song, by the Dead Kendyesbte
28:26 • 3min
Is That What We've Been Betrayed?
31:10 • 2min
I Wish I Could Turn You Back to a Stranger
33:15 • 3min
Kasa Blanca
36:19 • 6min
Apol Without Love Is Not a Genuine Politics, Right?
41:56 • 3min
The Connection to Love Is So Important
44:45 • 2min
'Casavlanka'
46:30 • 3min
She's Off With This Man She Doesn't Really Love
49:21 • 2min
I'll Live With This. I Need Her to Fuel My Work
50:52 • 2min
The Only Ending That Could Be Political
52:28 • 3min
You Have to See the Part Politically Where You're Maybe the Vendor?
54:58 • 2min
I Love That Line at the End of the H O a Watchman
56:42 • 2min
Is He Shorting Water?
58:49 • 2min
Casablanca, Casman Meak Short
01:00:41 • 3min
A Goo Question About Casablanca
01:03:48 • 3min
Film Noir, Is It a Feminist Film?
01:07:02 • 3min
The Womenle Marceilles, I'm Not Saingr La Marceillas, Okay?
01:10:08 • 2min
Howard Hawks and Michael Curtis
01:12:19 • 2min
Do We Both Think It's Bringing Up Baby?
01:14:15 • 2min
Bring Up Baby and Casablanca - I Love You
01:16:22 • 3min
The Lesson on White Christmas - Ryan, Over and Out
01:19:03 • 2min