What It's Like To Be... A Camera Operator
Sep 10, 2024
Join Pauline Edwards, an accomplished camera operator, as she dives into the vibrant world of reality TV and film production. She shares the unique challenges of framing scenes and maintaining emotional continuity, especially under the pressure of demanding directors. Discover what a 'swingle' is and hear about her journey navigating the industry as a female and Black operator. With personal anecdotes, Pauline highlights the camaraderie among camera operators and the technical artistry required to capture spontaneous moments on set.
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Invisible Camera Work
- Good camera operating is invisible; audience focuses on the story, not the camera work.
- Effective framing involves knowing what to include and exclude from the shot.
Solve Technical Issues Quickly
- Be prepared for technical problems and solve them quickly to keep production flowing.
- Experience helps you stay calm and act confidently during unexpected equipment failures.
Camera Gear Varies by Show
- Camera equipment choice depends on the show type; reality TV favors handheld for mobility.
- Scripted shows use more stabilized equipment like tripods, dollies, and cranes for precise shots.