Originally aired 7/23/2023. Get new episodes early at patreon.com/CurrentAffairs !

Today we have another in our Contentious Arguments series, as Nathan clashes with Christopher Rufo, the architect of the right's "critical race theory" moral panic and a close advisor of Ron DeSantis. Rufo has lately been criticized by the Foundation for Individual Rights in Education for appearing to retaliate against public university professors for their political beliefs in his capacity as a trustee of New College of Florida. His new book, America's Cultural Revolution: How The Radical Left Conquered Everything argues that 60s radicals have successfully staged a "long march through the institutions" and exhorts conservatives to stage a "counter-revolution." You can read the review that Nathan and Matt McManus wrote of that book here.

The quotation "Has the goal of the left, for a century, been the destruction of every Western institution?" is from the book's official publicity page. Nathan's essay debunking Michael Shellenberger's climate lies is here. For more on the subjects covered in today's episode, read Nathan's article "Why Critical Race Theory Should Be Taught In Schools" and Responding to the Right: Brief Replies to 25 Conservative Arguments.

Christopher Rufo: No, no, no, the United States was not founded on racism. I think that that is a total misunderstanding of history.

Nathan Robinson: How many Founding Fathers were Black?

Christopher Rufo: How many people in the Chinese Politburo are European? I mean, it's like the representation fact. Look, hold on...

Nathan Robinson: There's not a big class of European slaves in China. But if there was, it would be a racist state.

Christopher Rufo: That's true. But look, if you say "What was the United States founded on?" it's a very specific question, and I'll answer the question for you. The United States was founded on a vision of human nature, of natural rights, of equality and liberty.

Nathan Robinson: That excluded Black people.

This edited has been very lightly edited to fix cross-talk. (In the original, much of what was said was unintelligible because both Rufo and Robinson were talking at once.) A directionless several-minute tangent about the nature of artistic talent has also been excised. In the interest of avoiding any allegations of selective editing, that outtake can be heard here. Otherwise, the interview is presented in its entirety.

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