Jia Tan, "Digital Masquerade: Feminist Rights and Queer Media in China" (NYU Press, 2023)
Oct 29, 2024
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In this engaging discussion, Jia Tan, Associate Professor of Cultural Studies at The Chinese University of Hong Kong, explores her influential work on feminist rights and queer media in China. She introduces the concept of 'digital masquerade,' revealing how digital platforms empower queer and feminist activism while navigating censorship. Jia delves into the emergence of 'rights feminism' and shares insights from her research on media practitioners and community events, highlighting the significance of queer film festivals and the role of social media in challenging traditional narratives.
Jia Tan's concept of 'rights feminism' emphasizes grassroots activism in China that creatively navigates state repression and promotes LGBTQ+ rights.
The podcast illustrates how digital platforms, like Queer University, empower marginalized voices by facilitating community-driven storytelling in constrained environments.
Deep dives
Digital Activism in China
The episode examines the intersection of digital media and activism in China, focusing on the emergence of two distinct narratives surrounding feminist and queer movements. On one side, there is the portrayal of China as an illiberal state, marked by state repression and censorship of LGBTQ+ rights, exemplified by incidents such as the shutdown of bars and the censorship of LGBTQ+ content in media. Conversely, neoliberal trends highlight a growing acceptance of liberal feminism and a pink economy, as seen in companies sponsoring LGBTQ+ initiatives. This complexity underscores the necessity to understand media activism within a dual context of both restrictions and allowances, aiming for a nuanced perspective on digital feminisms and queer activism in China.
The Feminist Five
A significant event in Chinese feminist activism involved a group known as the Feminist Five, who were detained for their anti-sexual harassment campaigns in 2015. Their activism raised substantial awareness both locally and internationally, prompting various protests in their support. Following their detention, Li Maizhi, one of the Feminist Five, utilized her wedding to advocate for same-sex marriage rights, showcasing the intersectionality of gender rights with broader LGBTQ+ rights. Their efforts illustrate how digital platforms were employed to amplify their messages and rally support, representing a notable instance of how feminist activism can utilize digital media creatively in challenging oppressive narratives.
Emergence of Rights Feminism
The podcast discusses the historical evolution of feminist activism in China, particularly the rise of a new wave referred to as rights feminism. Distinct from earlier generations that often operated within state frameworks, this new wave is largely grassroots-oriented and linked with NGOs. The concept of rights feminism shifts focus toward consciousness surrounding rights and defenses, stemming from a rich historical context of feminism that has now evolved to embrace issues related to homosexuality and queer rights. This resurgence reflects changing perceptions and a more self-identified feminist approach among youth, leading to a more dynamic activism landscape.
Queer University and Community Filmmaking
The episode highlights the community-based digital filmmaking initiative known as Queer University, which facilitates workshops for aspiring filmmakers interested in documenting queer experiences. Participants create short films that showcase diverse queer narratives, illustrating the intersection of personal stories with broader social issues. One notable film, Comrade Yue, explores the life of a rural miner grappling with their identity, pushing the boundaries of typical queer representations often portrayed in urban settings. This initiative emphasizes the importance of storytelling as a form of activism, allowing for the circulation of queer media in environments often constrained by censorship.
Digital Masquerade: Feminist Rights and Queer Media in China(NYU Press, 2023) offers a trenchant and singular analysis of the convergence of digital media, feminist and queer culture, and rights consciousness in China. Jia Tan examines the formation of what she calls “rights feminism,” or the emergence of rights consciousness in Chinese feminist formations, as well as queer activism and rights advocacy. Expanding on feminist and queer theory of masquerade, she develops the notion of “digital masquerade” to theorize the co-constitutive role of digital technology as assemblage and entanglement in the articulation of feminism, queerness, and rights.
Drawing from interviews with various feminist and queer media practitioners, participant observation at community events, and detailed analyses of a variety of media forms such as social media, electronic journals, digital filmmaking, film festivals, and dating app videos, Jia Tan captures the feminist, queer, and rights articulations that are simultaneously disruptive of and conditioned by state censorship, technological affordances, and dominant social norms.
Jia Tan is Associate Professor of Cultural Studies in the Department of Cultural and Religious Studies at The Chinese University of Hong Kong.
Qing Shen is a PhD candidate in anthropology at Uppsala University, Sweden.