MythVision Podcast The Gospels are a Greek Theatre Production
Aug 1, 2021
09:53
Greek Theatre:
The classical Greeks valued the power of spoken word, and it was their main method of communication and storytelling. Bahn and Bahn write, "To Greeks the spoken word was a living thing and infinitely preferable to the dead symbols of a written language." Socrates himself believed that once something has been written down, it lost its ability for change and growth. For these reasons, among many others, oral storytelling flourished in Greece.
Greek tragedy as we know it was created in Athens around the time of 532 BC, when Thespis was the earliest recorded actor. Being a winner of the first theatrical contest held in Athens, he was the exarchon, or leader, of the dithyrambs performed in and around Attica, especially at the rural Dionysia. By Thespis' time, the dithyramb had evolved far away from its cult roots. Under the influence of heroic epic, Doric choral lyric and the innovations of the poet Arion, it had become a narrative, ballad-like genre. Because of these, Thespis is often called the "Father of Tragedy"; however, his importance is disputed, and Thespis is sometimes listed as late as 16th in the chronological order of Greek tragedians; the statesman Solon, for example, is credited with creating poems in which characters speak with their own voice, and spoken performances of Homer's epics by rhapsodes were popular in festivals prior to 534 BC. Thus, Thespis's true contribution to drama is unclear at best, but his name has been given a longer life, in English, as a common term for performer — i.e., a "thespian."
The dramatic performances were important to the Athenians – this is made clear by the creation of a tragedy competition and festival in the City Dionysia. This was organized possibly to foster loyalty among the tribes of Attica (recently created by Cleisthenes). The festival was created roughly around 508 BC. While no drama texts exist from the sixth century BC, we do know the names of three competitors besides Thespis: Choerilus, Pratinas, and Phrynichus. Each is credited with different innovations in the field.
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One on one with Dr. Robert M. Price 👉 jemi.app/robert.m.price
Robert M. Price Patreon. 👉 https://www.patreon.com/robertmprice
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The Journal of Higher Criticism 👉 https://amzn.to/36Jrt01
Dr. Robert M. Price youtube 👇
https://www.youtube.com/channel/UC1DN...
#Mythicism #RobertPrice #MythVision MythVision Discord : https://discord.gg/dRQXdZBq6E
The classical Greeks valued the power of spoken word, and it was their main method of communication and storytelling. Bahn and Bahn write, "To Greeks the spoken word was a living thing and infinitely preferable to the dead symbols of a written language." Socrates himself believed that once something has been written down, it lost its ability for change and growth. For these reasons, among many others, oral storytelling flourished in Greece.
Greek tragedy as we know it was created in Athens around the time of 532 BC, when Thespis was the earliest recorded actor. Being a winner of the first theatrical contest held in Athens, he was the exarchon, or leader, of the dithyrambs performed in and around Attica, especially at the rural Dionysia. By Thespis' time, the dithyramb had evolved far away from its cult roots. Under the influence of heroic epic, Doric choral lyric and the innovations of the poet Arion, it had become a narrative, ballad-like genre. Because of these, Thespis is often called the "Father of Tragedy"; however, his importance is disputed, and Thespis is sometimes listed as late as 16th in the chronological order of Greek tragedians; the statesman Solon, for example, is credited with creating poems in which characters speak with their own voice, and spoken performances of Homer's epics by rhapsodes were popular in festivals prior to 534 BC. Thus, Thespis's true contribution to drama is unclear at best, but his name has been given a longer life, in English, as a common term for performer — i.e., a "thespian."
The dramatic performances were important to the Athenians – this is made clear by the creation of a tragedy competition and festival in the City Dionysia. This was organized possibly to foster loyalty among the tribes of Attica (recently created by Cleisthenes). The festival was created roughly around 508 BC. While no drama texts exist from the sixth century BC, we do know the names of three competitors besides Thespis: Choerilus, Pratinas, and Phrynichus. Each is credited with different innovations in the field.
=================================================
MythVision Website: 🔥 https://mythvisionpodcast.com/
MythVision Patreon 👉 https://www.patreon.com/mythvision
MythVision Paypal. 👉 https://www.paypal.me/dereklambert7
Cashapp: 👉 $rewiredaddiction
Venmo: 👉 @Derek-Lambert-9
Recommeded books 👉 https://amzn.to/35FqNYf
Email MythVision 👉 mythvisionpodcast@gmail.com
Facebook page: 👉 https://www.facebook.com/MythVision/
Facebook group: 👉 https://www.facebook.com/groups/TheWa...
Twitter: 👉 @DerekPodcast
Instagram: 👉 @dereklambert_7
==============================================================================
One on one with Dr. Robert M. Price 👉 jemi.app/robert.m.price
Robert M. Price Patreon. 👉 https://www.patreon.com/robertmprice
Dr. Robert M. Price Website 👉 https://www.robertmprice.mindvendor.com/
The Journal of Higher Criticism 👉 https://amzn.to/36Jrt01
Dr. Robert M. Price youtube 👇
https://www.youtube.com/channel/UC1DN...
#Mythicism #RobertPrice #MythVision MythVision Discord : https://discord.gg/dRQXdZBq6E