Life and Art from FT Weekend
Francis Ford Coppola’s Megalopolis is a mess worth seeing
Oct 4, 2024
Film critic Danny Leigh, known for his insights in the Financial Times, joins to dissect Francis Ford Coppola's ambitious yet polarizing project, Megalopolis. They explore its complex narrative pitting idealism against pragmatism, and the film’s portrayal of civic responsibility. The discussion dives into Coppola's 40-year journey of artistic commitment, addressing its unique societal implications. Leigh also highlights the film’s mix of brilliance and flaws, prompting questions about audience reception and the role of moderation in film criticism.
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Quick takeaways
- Francis Ford Coppola's 'Megalopolis' is a polarizing film that juxtaposes individualism and populism amid a chaotic narrative and moral ambiguity.
- Despite mixed reviews, the film embodies broader themes of hope and creativity, challenging societal disillusionment and emphasizing the importance of envisioning a better future.
Deep dives
Coppola's Long-Awaited Vision
Francis Ford Coppola's latest film, 'Megalopolis,' represents his enduring dream, having taken over 40 years and 120 million of his own dollars to bring to fruition. The film centers around an idealistic city planner, portrayed by Adam Driver, who envisions a utopian city built amidst the ruins of New Rome, a blend of contemporary New York and ancient Rome. This ambitious narrative is set against a backdrop of political rivalry, as Driver's character contends with a corrupt mayor, adding layers of complexity to his quest. Despite a stellar cast, including names like Dustin Hoffman and Jon Voight, the film has sparked sharp debates regarding its merits, leaving audiences divided in their reactions.
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