In the May/June issue of Film Comment, Nick Pinkerton wrote: “Like few feature films before it, Spielberg’s [Ready Player One] exemplifies an aesthetic of pop-culture decoupage that has developed, in recognizably kindred forms, across a wide range of media, one that has been increasingly prevalent through the early years of the 21st century. It is that of the junk-pile jumble of accumulated mass-manufactured character properties at the end of pop history—the aesthetic of glut.” Pinkerton, regular FC contributor, is joined by FC Digital Producer Violet Lucca and Light Industry co-founder and 4Columns contributor Ed Halter to discuss our new pop culture reality, where everything—good or bad—is here to stay.