Benefits Britain, mental health & what’s the greatest artwork of the 21st Century?

‘Labour is now the party of welfare, not work’ argues Michael Simmons in the Spectator’s cover article this week. The question ‘why should I bother with work?’ is becoming harder to answer, following last week’s Budget which could come to define this Labour government. A smaller and smaller cohort of people are being asked to shoulder the burden – what do our Spectator contributors think of this? 

For this week’s Edition, host Lara Prendergast is joined by opinion editor Rupert Hawksley, arts editor Igor Toronyi-Lalic and columnist Matthew Parris. Rupert points out the perceived lack of fairness across the Budget, Matthew thinks we shouldn’t be surprised that a Labour government delivered a Labour Budget and Igor makes the case that artists thrive as a consequence of an inefficient state.

As well as the cover, they discuss: the compassionate balance needed on mental health; how society seems to be approaching a ‘climbdown’ over climate change; the best party tricks they’ve seen; and finally, their reflections on Tom Stoppard, following his death at the weekend.

Plus: what is the greatest artwork of the 21st century so far – and how should we define it? The columnists discuss our various submissions from Christian Marclay’s The Clock, television show Succession, album Original Pirate Material by The Streets – and even the Just Stop Oil movement.

Produced by Patrick Gibbons.

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