Robert Yeoman has worked with Wes Anderson since his very first film Bottle Rocket and shares the ins and outs of what it takes to get those very specific Wes Anderson shots...

In this episode, we talk about…

Robert’s entry into the world of being a cinematographer
Robert’s experience shooting low budget commercials and 25 day, $2 million movies
How Wes and Robert ignored the studio about what lens to use in filming Bottle Rocket
What it’s like to work on a Wes Anderson film: small crews, storyboarding, specificity, stress, and schedules
Shooting French Dispatch and Wes’ extensive movie prep, film library, and testing film stocks
The value of shooting on film, especially in black and white

Links to Resources:

The French Dispatch: https://www.searchlightpictures.com/thefrenchdispatch/

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Hannah Waddingham