Decorating Pages: TV and Film Design

Tamara Deverell: Building Guillermo del Toro’s Frankenstein – Ship, Tower, and Monster Lab

Nov 18, 2025
Tamara Deverell, an award-winning production designer known for long collaborations with Guillermo del Toro, talks set-building for del Toro’s Frankenstein. She discusses a 135-foot ship on a gimbal surrounded by hand-sculpted ice, a towering Medusa-watched lab with massive battery columns, a mossy vaulted crypt, Victor’s crooked Edinburgh flat, and scouting Arctic doubles in Canada and Scotland.
Ask episode
AI Snips
Chapters
Books
Transcript
Episode notes
INSIGHT

Symbolic Architecture Shapes Theme

  • Guillermo del Toro uses recurring symbols (Medusa, circular window) to deepen thematic meaning across sets.
  • Tamara Deverell enlarged and literalized those symbols to serve lighting and emotional focus without overwhelming actors.
INSIGHT

Design For Practical Film Use

  • Large practical set elements (15-ft battery columns) demand integrated solutions across art, SFX, lighting and VFX.
  • Making pieces mobile on hidden casters allowed camera blocking without losing the visual heft of the towers.
ADVICE

Align Miniatures With Full-Size Scenic Work

  • When planning miniatures, share blueprints and scenic treatments so the scale model matches the full-size set.
  • Schedule miniature photography late so teams can copy real scenic aging and textures.
Get the Snipd Podcast app to discover more snips from this episode
Get the app