Marc Gafni - Imagining The Post-Tragic

In 'Being and Nothingness,' Jean-Paul Sartre delves into the fundamental categories of being and nothingness. He distinguishes between 'being-in-itself' (objects that simply exist and are unaware of themselves) and 'being-for-itself' (human consciousness, which is self-aware and free). Sartre argues that human beings are characterized by their freedom and responsibility, and that they must create their own being through their actions in the world. The book also introduces the concept of 'being-for-others,' highlighting the impact of others on our self-perception. Sartre rejects traditional notions of a transcendent reality and instead emphasizes the importance of individual responsibility and authenticity in human existence.

In this work, Nietzsche discusses the history of the tragic form and introduces the intellectual dichotomy between the Dionysian and the Apollonian. He argues that Greek tragedy arose from the fusion of these elements, with the Apollonian representing measure, restraint, and harmony, and the Dionysian representing unbridled passion. Nietzsche also critiques Socratic rationalism and its impact on Greek tragedy and modern culture, advocating for a rebirth of tragedy inspired by Richard Wagner’s music.